“What’s the music doing now, and does it need me?” Schulkowsky asks. “Does it need…
Category:
Dance
-
-
The people are on the run, crouching, protecting their heads with their hands. The people…
-
Mr. Paxton’s dance vocabulary wasn’t always basic. For his 1963 work “Afternoon,” he taught Ms.…
-
“Deep River” is in many ways an apt title for a dance work by Alonzo…
-
Fans of the intrepid New York City Ballet principal Sara Mearns and of the distinguished…
-
The choreographer Alonzo King sees ballet differently. A dance is never just a dance. It’s…
-
For Irish dancers, “Riverdance” was cataclysmic. That 1995 production took a form of cultural heritage…
-
San Francisco Ballet has a vibrant new artistic director: the celebrated Spanish dancer Tamara Rojo.…
-
“Taylor allowed me to be a whole person,” Edwards said, adding that that helped them…
-
Halfway through Jean Butler’s “What We Hold,” the audience is invited to sit at a…
