Book Review: ‘Dead in Long Beach, California,’ by Venita Blackburn

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Book Review: ‘Dead in Long Beach, California,’ by Venita Blackburn

DEAD IN LONG BEACH, CALIFORNIA, by Venita Blackburn


There may be no right or wrong way to grieve, but impersonating a recently departed loved one could get a person in trouble. To be fair, Coral — the protagonist of Venita Blackburn’s first novel, “Dead in Long Beach, California” — doesn’t exactly mean to pick up her brother Jay’s phone and start texting as him after she finds him dead from suicide in his apartment. It’s just something she does … and keeps doing.

Over the next few days, Coral shows up for her day job, honors her scheduled appearances as the author of a science fiction graphic novel, sets up dates on her own phone and keeps up with Jay’s texts on his. Coral understands that what she’s doing is “at worst a kind of crime and at best an infraction of decency,” but it’s surely better than telling Jay’s loved ones, especially his daughter, Khadija, that he is dead. But as Coral sustains the illusion that Jay’s life is intact, her life unravels. The prolonged, intensifying strain that she creates by maintaining this deceit becomes the novel’s central problem.

Blackburn has previously written two story collections, both of which displayed her genius for compression and formal invention. While this new book shows her moving to more spacious realms, it’s built with the same meticulous craftsmanship of her shorter works. Her sentences zing with lively precision — Coral’s hunger “flickered like dead flint”; her unraveling is a ball of yarn “thrown up to the sky in an act of delirium or prayer” — even as she tackles the thorny complexity of mourning.

If speaking for the dead is an ethical quandary, it’s also a way to love someone. In taking on Jay’s texts, Coral becomes his medium, his voice. Through that evolution, she becomes newly aware of how profoundly different their lives have been, and though he is now dead, she’s eager to boost his legacy. But Coral, who is queer, finds herself angry at Jay, at his friends and at male culture in general for promoting isolation and stolidness as opposed to, say, community and emotional support.

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